Finally got to see War, Inc., last weekend when I was in Chicago. The showing I saw was on Sunday afternoon, and at that hour, unfortunately, the theater was more empty than full. Still, a fine time was had by all, I think.

Looking around on the net, one sees that War, Inc., has gotten rather mixed reviews from mainstream sources, and I can only conclude that those people don’t get it.

Me? I loved it.

War, Inc. is subversive, rebellious, twisted, and, most importantly, funny. The filmmakers made their political and social points without being heavy-handed, and clearly had fun doing so. This is what a good satire should be like.

The film stars John Cusack (who also co-wrote and co-produced it) as hitman Brand Hauser. Hauser is hired by Tamerlane, a US-based corporation run by a former Vice President (Dan Aykroyd) which has just successfully invaded a country called Turaquistan in the first-ever entirely corporate-fought war, to kill a competitor who has the temerity to build an oil pipeline in his own country in competition with Tamerlane.

Whew. That was a lot of info to fit in one sentence.

Tamerlane is a rather deliberate hybrid of Halliburton and Blackwater, and any resemblance between Iraq and Turaqistan (or between Aykroyd’s character and Dick Cheney) is purely intentional, I’m sure.

Hauser’s cover on this assignment is that he has to act as the trade show host for Tamerlane, which is showcasing all the wonderful products the company makes to help rebuild the country…sort of…most of the products seem to be things like inflatable prisons, weapons, security devices, and artificial limbs. Does any of this sound familiar?

While on assignment, Hauser is aided by his super-efficient assistant, Marsha Dillon (played by sister Joan Cusack). The relationship between these two characters seems very reminiscent of the roles the two Cusacks portrayed in Grosse Pointe Blank, but it works in this movie, too.

Hauser also finds himself interacting with lefty reporter Natalie Hegalhuzen (Marisa Tomei), an about-to-be-married 18-year-old Middle East pop star named Yonica Babyyeah (Hilary Duff), her piggish husband-to-be, Ooq-Mi-Fay (I’ll leave it to you to figure out the piglatin translation), their entourage, and the voice of an OnStar-like guidance system (Montel Williams).

Mayhem ensues.

I’ll refrain from detailing the storyline more than I already have, because I don’t want to spoil it for anyone. Suffice it to say, there is sufficient plot excitement to keep the film moving along at a good pace, but probably no huge surprises as the story unfolds.

The performances from all the major actors are great. Cusack is again wonderful in the conflicted hitman/everyman role. Marisa Tomei, Ben Kingsley, and Dan Aykroyd all nailed their parts. And much to my surprise, Hilary Duff was great as Yonica, the Middle East’s Britney Spears. I’m not familiar with her earlier work, and I’d kind of assumed that her acting talent would be about on par with Britney Spears, as well, but she showed a great ability to disappear into the character – I really wouldn’t have recognized her if I hadn’t already known she was playing the role.

There’s a lot going on in this movie at any point in time, beyond the main focus of the scenes. The advertising signs scattered all over the place in Turaquistan were hilarious, and there was a lot of funny stuff that you would miss if you blinked. I’m really looking forward to getting this movie on DVD, so I can figure out some of the things that went by too fast on the screen to be appreciated.

The soundtrack is good, which is no surprise since Cusack has shown a real talent for pulling together nice soundtracks in earlier movies where he’s been involved in the production (e.g., the Grosse Pointe Blank soundtrack, which is awesome). A fitting selection of tunes for the big scenes, plus some original songs written by Paul Hipp for Yonica’s performances in the film, like her trade show number, I Want to Blow You…Up, which, as you might expect from its title, is heavy on the innuendo, hold the subtlety.

My overall recommendation on this movie is this:

If you are a neo-conservative, don’t bother. Either you won’t get it, or it will piss you off. Of course, from the absence of badly-spelled troll-like comments I receive on this blog, I assume not many neocons are reading this, anyway.

For everyone else: If you are sick of the Iraq war, if you are tired of the way the Bush White House is running this country for the benefit of its corporations instead of its citizens, go see this movie.

Make a little noise.

Get rowdy.

And don’t forget to VOTE in November.

jane doe

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